The excitement is Bone Deep!

20180613_212743At last! Bone Deep is here. Many writers will tell you how tricky that second book is, and to some extent that’s true, although for me the writing was the easy bit. I adored creating Bone Deep; I love Lucie, and Mac, and I have a big soft spot for Arthur. I miss those guys! I’m hoping that my readers will love this story just as much as I do.

And THAT’S the tricky part- the nail-biting, gut-clenching wait for the REACTION!

My second book hit the shelves on Thursday, and I’d love to share with you some of my favourite words and images so far.

IMG_20180706_203444_131I’ve just poured myself a large gin and tonic, but before I take one more sip of mother’s ruin, I want to say a BIG thank you to my amazing agent Jenny Brown– the best in the biz- and to all the team at Polygon. You’ve done, and continue to do, a wonderful job- Neville, Alison (glad you liked it!), Julie (Master of Suspense), Jan, Kristian, Vikki, Jamie…I’ve probably forgotten someone, but thank you all!

Raising my glass also to all the bloggers, reviewers and journalists who have been in touch, and to our lovely booksellers and librarians, and to my awesome fellow writers. Now please pour yourself a wee tipple or a nice cuppa and grab a copy of BONE DEEP. Cheers!

Parker the Puppy couldn’t wait to sink his teeth into this juicy novel, and ‘Hank’ from John Smith’s Bookshop, University of Stirling, needed to cool off afterwards…

‘Bone Deep is a taut, contemporary thriller about love, betrayal, female sibling rivalry and bone-grinding, blood-curdling murder.’ – Sunday Post.

‘A siren-like read, the storyline simply swallowed me whole…I could not stop reading!’ – Lovereading UK

‘…atmospheric, with a delicious build up of tension, and beautifully observed throughout. An absorbing read.’ – Michael J. Malone, author of House Of Spines.

BONE DEEP has been sold in India (Bee Books), Germany (Penguin) and the US (Gallery, an imprint of Simon and Schuster) but who knew it had sneaked into Russia….?

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BONE DEEP enjoying St Petersburg, courtesy of Elizabeth Frattaroli

Bone Deep – an evening of music and spoken word

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I can’t believe it’s been two months since Crime at the Castle (and two months since I last updated my blog…hangs head in shame) so let’s hit the ground running with a look at what’s been happening in my booky world!

My second novel Bone Deep will be published at the start of July, so in the run-up to the big day, please join me on Twitter (@22_ireland), Facebook (https://www.facebook.com/Sandralowireland/) and Goodreads. I’ve not been very active on Goodreads, so please follow me- I need all the friends I can get!

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We decided to get the celebratory ball rolling in April with a concert in the atmospheric surroundings of Hospitalfield, Arbroath. My friends at Hypercoaster Music had the tricky task of bringing together nine virtual strangers, with only an ancient murder ballad in common…and they nailed it! The audience were enthusiastic in their praise, and appreciated how well the performers ‘gelled’, which demonstrates the power of music and art to unite us. It was stirring stuff, as each artist interpreted the ballad of The Cruel Sister* in their own unique way.

 

 

The highlight for me was reading from Bone Deep accompanied by the harp! I’d never attempted anything like this before, but I knew I was in safe hands with super-talented writer, poet and musician Rebecca Sharp. When you read the book, you’ll understand that a very special harp is pivotal to the story, so it was quite emotional for me, not only to hear the instrument playing in the background, but to experience each unique and haunting interpretation of the theme of the evening.

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Author, actor and director Heather Osborne helped me to set the scene with our take on the history of The Cruel Sister ballad. Rebecca, and Emil Thompson treated us to a deliciously dark interpretation of the theme, which involved a Crow Box, a Singing Bowl and a little bit of magic! Spoken word artist Stephen Watt delivered a thought-provoking and poignant set,  exploring the darkness of our own psyche, while folk duo Shamblestone wowed us all with a raw and powerful rendition of the Twa Sisters (video on their Facebook page!). Lisa Rigby and Stuart Clark finished the night off with a fantastic set, including a most haunting and memorable version of The Wind and Rain.

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Huge thanks to Tash and Andy at Hypercoaster, to all who took part, and helped out on the night and beforehand. I really hope we can do it again some time!

Next week, I’ll tell you a little more about the story behind the story, and we’ll look at the history of the ballad itself.

 

 

*The Ballad of the Cruel Sister was the inspiration behind Bone Deep. I wanted to show how the past can impact on the present. Strangely, there’s a link between Hospitalfield and this book! In 1813, Sir Walter Scott visited the house, and was inspired to use it as the setting for his novel The Antiquary. Some 11 years previously, Scott had published a collection of Border Ballads, entitled The Minstrelsy of the Scottish Borders. As a teenager, I chanced upon this tome while rummaging through an old bookshop in the Borders. The Cruel Sister ballad, with its powerful themes of sibling rivalry, betrayal and murder really captured my imagination. Little did I know that some forty years later I would be standing where Scott once stood, talking about my own novel!

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‘Stockbridge Gothic’

When The Scotsman dubbed Beneath the SkinStockbridge Gothic’ I was highly delighted. Gothic is definitely my go-to zone when I’m dreaming up the mad, the bad and the dangerous!

Those of you who have already read the book  may have noted a few nods to my all time favourite Frankenstein. I won’t give any games away, but if you have spotted the clues, then feel free to start a conversation! This has made me think about my own relationship with the Gothic, and how it has influenced my writing. For me, I suppose the defining element of the genre is setting, and the development of architecture and landscape as characters within that context. I’m thinking about the labyrinthine Castle of Otranto, the windswept bleakness of Wuthering Heights, and the haunted attic of Charlotte Bronte’s lesser-known Villette.

In Alys’s Stockbridge villa, the damp basement, the creaking staircase, the cramped attic all take on a life of their own. There is a sense that the house is less than welcoming, resistant to the notion of being a family ‘home’. We might call such an atmosphere ‘uncanny’, a concept which, interestingly, stems from  the German Unheimlich, best translated as ‘un-homely’.

In his treatise on the Uncanny, Freud quotes the philosopher Schelling: ’Unheimlich is the name for everything that ought to have remained hidden and secret, and has become visible.’cobweb-handle

All that stuff we carry ‘beneath the skin’ perhaps…

I’ll leave you with an appropriate quote. Walt, just out of bed, makes his way to the kitchen…

‘…the hall felt somehow odd. It took him right back to being a kid again, when you come back from holidays and the house feels cold and damp…has a distance about it. He remembered how his mam used to stand in the porch, sniffing, in case she’d forgotten to chuck out the milk, or the cloths had rebelled in her absence and gone sour. And here he was, sniffing,like his mam used to do. A house with a kid in it shouldn’t feel this way.’

From Beneath the Skin (Polygon) 2016