It’s Spring!

Time for a springtime blog update! The start of the year has been pretty busy so far. I’m just back from the annual Scottish Association Conference, which was such a lot of fun. It was so good to be able to socialise with my Angus Writers’ Circle pals and to meet up with old friends. I’d been invited to adjudicate the Margaret McConnell Women’s short story competition- the entries were amazing and the winners spellbinding (although I just wanted to give them all a prize!).

I also led a workshop on writing about climate change, coincidentally…because as we speak my new climate fiction book WATERBOUND is out on submission and being read by the very person who might well publish it- an exciting and scary thought!

It’s taken me a year to get to this stage, and there were times when I wondered if I’d bitten off more than I could chew. Speculative fiction is ambitious, as you will know if that’s your thing. Could my ideas match my ambition? It was so hard to know how far to go. What will phones be like a century from now? How will we be travelling? Will we be super-sophisticated and technologically advanced or will we be fighting over resources? The Council for Refugees has already predicted that we could be looking at some 25 million souls displaced by climate-related disaster by the end of the century- something that we’ll have to face in a humane and compassionate way.

In the end, I decided that this is a story about family and emotion and the things that matter to us. Human nature remains fundamentally the same, so I decided that as long as that felt authentic, readers would accept my vision of the rest. I hope so anyway!


In February, I was asked by Sustainability First, a charity dedicated to raising awareness of the human impact of climate change, to take over their Instagram account for a week. A tall order- I’m not that good with my own social media. However, I did it, and I was pleasantly surprised by the lovely comments from followers. Here is a haiku, which was my first post:

Spring/Summer Writing Opportunities!


LIFELONG LEARNING DUNDEE:
FINDING INSPIRATION THROUGH FOLKLORE APRIL 18th  for five weeks; 6.30pm-8.30pm £40/35
Humans have been finding ways to re-imagine folk tales since the earliest times. This course is a must for everyone with an interest in the creative arts. We’ll look at the various themes and ideas associated with our storytelling heritage and discover, through guided prompts, what they can bring to our own practice. Ideal for writers, artists, poets, musicians and anyone who would like to make new work from old tales
Book HERE.

 
WRITING JUST FOR YOU #8  April 5th for four weeks; 6.30pm-7.30pm £45
Does what it says on the tin! This is the perfect way to enjoy writing for its own sake, without pressure or expectation. Even if you are new to writing, you’ll soon get into the rhythm of it.
Each week, we will have a chat about the theme of the week, and perhaps look at a poem, take part in a mini-meditation (just five minutes of mindful relaxation) and then settle down for 20 minutes of undisturbed writing time
For more information and to book, email sandrairelandauthor@yahoo.co.uk
 
FINALLY…I will be running two 10-week upskilling modules at the University of Dundee (online). Scroll down to STARTING CREATIVE WRITING & THE LURE OF THE DARK (Folklore plus creative writing) for full details and how to apply. There are free places available for anyone working for a Scottish employer and wanting to upskill, facing redundancy or seeking employment .I’m still waiting for confirmation on start dates (usually May for Creative Writing and July for Folklore), but please contact me or Claire Nicoll at c.z.nicoll@dundee.ac.uk for more information.

 


 

2022 in review!

Time has done some funny things this year, hasn’t it? It’s sped by, and yet hung heavy at times. Perhaps we are all still in pandemic recovery. I heard it described as a collective ‘languishing’- and although I do feel like I’ve done a lot of languishing on my couch, trawling through my photos has encouraged me to relive some favourite moments…

First up, I was so lucky to have been invited to take part in the international Connect and Collaborate residency at beautiful Moniack Mhor. Not only is it the perfect place to rest, recuperate and write, it also gave me the opportunity to make friends with some amazing people from across the globe. Here is Moniack Mhor in sunset splendour and some of my co-conspirators lost in the woods! (Nadine Aisha Jassat, Gemma Rovira Ortega & Carly Brown).Not forgetting the all important glass of red wine poured by my Moniack pals after I finished the first draft of my next novel Waterbound! (Look out for more news on that in 2023)

In the summer, Angus Writers’ Circle had the chance to undertake a group residency in Arbroath Abbey’s New Scriptorium, as described in a previous post. Here is an image of my Tree Folklore Workshop, inspired by the humble Arbroath Pippin!

I was very excited to be invited by Fife Writes to deliver two creative writing workshops for Book Week Scotland. One was online and one was IN-PERSON! Myself and my lucky hat travelled to beautiful St Andrews, which was a real novelty after the lockdown years. Here I am, with said hat, at the old harbour…

There was also that fiery trip to Bloody Scotland! Again, so good to be back in-person. I think we’ve all been caught between longing to socialise and veering towards recluse-dom. I know I have, but once you’ve levered yourself from the couch you realise what you’ve been missing!

Thanks to a generous award from Creative Scotland, I was able to take part in a third residency (and I thought nothing much had happened in 2022!) in Ireland. Grateful thanks also to the lovely Noelle Harrison at Aurora Retreats for holding such a special place for us all in the Limerick countryside, somewhere close to my heart. Noelle, writing as Anya Bergman, has a stunning novel out VERY soon. Keep an eye out for The Witches of Vardo (Manilla Press). I have read an advance copy and I loved it!

The book I was working on at the Springfield Castle retreat is tentatively entitled The River Takes Her Name (suggested by my fellow retreater Petra!)

Legend has it that the ancient goddess Sionnan ate the Salmon of Wisdom, with its nine hazelnuts of truth, in order to gain all the knowledge of the world, only to drown in the river that now bears her name. In 1980s Limerick, nurse Anya Kildare has nine pieces of information which, if revealed, could alter the lives of those around her forever.

 If knowledge is power, and power might bring death, how much would you be willing to give away?

Intrigued? I’ll tell you more about that, and indeed Waterbound, my great hope for next year, in a future post, but I’ll leave you with some wonderful images of Ireland and finally, finally, Newcastle Noir, which proved a bright and warm and friendly end to the year (despite the title!)

WISHING YOU ALL THE VERY BEST FOR 2023!

New! Courses for Autumn

Happy news for writers! The Lifelong Learning Dundee programme is out! Lots of very reasonably-priced courses to choose from. Including life writing with Josephine Jules Andrews, flash fiction and short story writing with Sue Haigh and the ever-popular (and vital!) The Business of Being and Author with Dawn Geddes.
Here are my online offerings, which will follow a similar format to previous years but will be tailored to YOUR novel. A place to workshop your ideas, get some feedback, meet fellow writers and re-energise your project! I’m particularly interested in hearing from those who have a novel on the backburner. Perhaps you have a sticking point or you’ve run out of steam? I’m here to help!
Each five-week course is £40 (£35 concession), the same rate as it was pre-pandemic, which is a miracle! For the full experience why not book both? Only £80 (£70) for 10 weeks dedicated to your project. Lifelong Learning is a not-for-profit organisation dedicated to adult learning provision. We also offer a monthly online ‘Blether’ session so you can get to know your classmates socially.

Write that Novel, starting Oct 4 for 5 weeks, Tuesdays, 6.30pm-8.30pm

Edit Your Novel, starting Nov 8th for 5 weeks, Tuesdays, 6.30pm- 8.30pm

Can’t wait until October?! Join me on September 19th for a four-week dip into Writing Just for You!

WRITING JUST FOR YOU #6

This is the sixth block of WJFY, but you do not need to have done the others to enjoy this one. It’s the perfect way to get into writing for its own sake, without pressure or expectation. Even if you are new to writing, you’ll soon get into the rhythm of it.
Each week, we will have a chat over Zoom (one hour) about the theme of the week, and perhaps look at a poem, take part in a mini-meditation (just five minutes of mindful relaxation) and then settle down for 20 minutes of undisturbed writing time. I will also suggest an Artist’s Play Date for you to try at home, and we’ll chat about that at the beginning of the following session.

Fee: £45 payable by BACS on enrolment. To book email: sandrairelandauthor@yahoo.co.uk

Here is the plan!

Monday, Sept 19th, 6.30pm-7.30pm. Topic: HARVEST and the turn of the year.

Monday, Sept 26th, 6.30pm-7.30pm. Topic: SEASON OF MISTS…autumn landscapes and falling leaves.

Monday, Oct 3rd, 6.30pm-7.30pm. Topic: MELLOW FRUITFULNESS…apples, brambles and seasonal food.

Monday, Oct 10th, 6.30pm-7.30pm. Topic: BOOKS in honour of National Bookshop Day

Scriptorium Glororium!

A great title brought to you by my pal storyteller Ken Johnston, who coined it for the Scriptorium launch. One of those strange words which conjures up all kinds of giddiness! We Angus Writers are, if not exactly giddy, very excited to be starting on a bold new venture- a month-long Angus Writers’ Circle Residency at the New Scriptorium based in the grounds of Arbroath Abbey. What a wonderful, inspirational setting! The Scriptorium has been designed by artist Bobby Niven and commemorates the acclaimed work of the Benedictine monks who once copied and illuminated world-renowned manuscripts on this very site. The project has been made possible by Hospitalfield, Historic Environment Scotland, the 2020+1 committee and many more.

It was a real privilege to be there this week with my writing buddies Dawn, Elizabeth and Gillian. We had coffee and flapjacks to add to the creative vibe and it was interesting to imagine what life might have been like for the Benedictine brothers in their scriptorium of old. One of the interpretive boards at the Abbey describes the ‘architecture of solitude’, a cloistered existence which would be alien to modern-day writers. We are free to listen to a playlist, eat biscuits, surf the ‘net. Maybe we even enjoy the constant backdrop of traffic noise and hubbub of voices. Life must have been very different for those who had taken vows of poverty and silence, working under a strict regime, with no distractions. Perhaps that’s the secret of producing such gorgeous, transcendental art!

Scriptorium Selfie!

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Time for a mid-year review!

June is the perfect to time to look back and take stock of the year so far (and also to feel guilty for not updating this blog!). It’s hard to stay positive with everything that’s going on globally and at home, but good things do happen, so time to give a few of them an airing…

In March I was incredibly lucky to have been selected for an international residency at beautiful Moniack Mhor. I’d always wanted to visit, and to do so in that context, in the company of such lovely humans, was a high point in my life. So, a big shout out to Efe Paul Azino, Titilope Sonuga, Nadine Aisha Jassat, Sunnah Khan, Puja Changoiwala, Carly Brown, T.J.Benson and of course amazing Debris Stevenson, the Jessie Kesson Fellow and Translator Extraordinaire, Gemma Rovira Ortego.

Aided and abetted by Rachel and her amazing team, we quickly became like family- eating together, laughing together, chasing spiders, drinking wine, walking, talking and writing. What could be better?!

Here are some favourite moments:

Gaelic lessons with Heather!
The Hobbit House

Many a writing nook and the neighbours were wild…

So many beautiful views, and a few late nights…

We got out and about…

And made some noise!

Read some books and enjoyed the odd glass of wine or two when the writing was done!

Thank you, Moniack Mhor- it was an amazing experience!

Happy New Year!

Happy New Year to you, one and all!

I love a fascinating fact, and here is one I uncovered at the end of last year. I’d been delivering a four-week Writing For Wellbeing course, and as I was scouring Yuletide folklore for some lovely writing prompts, I though why not skip ahead to the New Year and take a closer look at our old friend Janus! I remember hearing his story at school, that he’d leant his name to January, with one of his faces looking into the year just gone, the other into the coming year.

Looking from 2021 to 2022…

As a god of time and transitions, Janus didn’t have a “face for the present” because the present IS a place of transition, which is something to think about when you feel ‘stuck’, either physically or mentally. The Romans didn’t view the present as a time in and of itself – just as something of a passing place between past and future.

That really resonates with me. We are always being encouraged to be ‘fully present in the moment’, which I actually find quite difficult. My brain is always speeding ahead! But what if the ‘present’, as the Romans believed, is merely a drifting boat, bearing you gently to the next exciting destination?

May all your destinations be exciting this year! If you would like to join me for four weeks of looking at the world in a slightly different way (and writing about it!), my next Writing Just For You course begins on January 24th. Here is the programme:

WRITING JUST FOR YOU #3

Each week, we will have a chat about the theme of the week, a mini-meditation or moment of mindfulness to get you in the creative groove and 20 minutes of free writing to a themed prompt. I will also suggest an Artist’s Play Date for you to try at home.

Week 1: Ice. (24/1/22)

This week’s theme is ‘cold snap’. How do you feel when the temperature drops?!

Week 2: Light. (31/1/22)

Candlemas falls on Feb 2nd, and has many interesting customs associated with ‘bringing in the light’. How can you bring light to your own life?

Week 3: Fire (7/1/22)

‘Warming the cockles of your heart.’ This idiom derives from the belief that the heart was shaped like a cockleshell, implying it is soft on the inside with a tough shell! What makes your heart melt?

Week 4: Love (14/1/22)

February 14th is, of course, St Valentine’s Day! We’ll be looking at the folklore surrounding ‘Valentines.’

Interested? Just drop me a line and I’ll save you a place. The course fee is £55. Payment details and Zoom link will be sent the week before.

Looking forward to seeing you!

Sandra

Some artwork

As some of you know, I love to draw and paint, and I’ve developed a love for Chinese Brush Painting. I don’t know much about it yet, but I’m learning! The Chinese refer to such paintings as ‘writing a picture’, in other words, capturing the essence of scene and story in the simplest of terms, which kind of reflects my writing. It’s all about the imagery. Here are a couple of my early attempts. The first ‘Heron’ is firmly rooted in the Chinese brush technique and the second ‘Seagull’ is more my own take on it!

HERON
SEAGULL

Scrapefoot #6

I’m a day late, but hope you’ll enjoy the final part of Scrapefoot! It’s been really exciting to write this story in serial form and thank you for your lovely comments. If you’ve liked what you’ve read, do check out my books- dark and twisty with a glimpse of the mythical past!

Scrapefoot #6

I told him he could stay. He wasn’t doing any harm, and he seemed to know more about the house, about my mother and about me than I did. He was clever. I left quietly by the front door. It had been snowing again, and the path wore a new, glistening blanket of white. I was at the gate before I came to my senses. What had I done? Given the green light to a complete stranger, a squatter, a vagrant. How had he tricked me into that? Scrapefoot, indeed!

As I turned to march back to the front door and give him a piece of my mind, I noticed that my footsteps were absent. Even heavy snow could not have obliterated them so soon. What was going on? Slipping and sliding, I made my way back to the house and flung open the door. The fire was still blazing merrily, but there was no sign of the man. I  checked the sitting room and the bedrooms. even the bathroom and the back garden, in case he was chopping more wood, but Scrapefoot had vanished. I twirled slowly in the middle of the sitting room. Something was not right. I could smell that sharp musky scent I’d noticed before. There on the new cushion, in my mother’s favourite chair, lay curled a white fox.

   “How did you get in?”

It surveyed me steadily. It’s eyes were a sharp, icy blue. Something stirred in my head- words- although from whence they came I really couldn’t say.

   “I’ll stay until your mother comes home, and then I’ll be gone.”

Was it a promise, or a threat?

This time when I turned and left. I didn’t go back.

 “Mum, I’ve been doing some thinking.” I held my mum’s tired hand. It was 3 pm and the tea trolley was on it’s way. I could smell a fresh brew and custard creams. A nurse was rearranging the medicine trolley, checking items against her clipboard. “How would you like to go home?”

   “Go home?” The words were tremulous, sweetly hopeful. “Home to my own house?”

   “Yes. I think we could manage. If I relocate and work from home- your home- we could manage well enough. What do you think?”

    “Oh Rebecca!” My mother’s grip tightened. “It’s what I’ve been dreaming of, but I couldn’t tell you. You have your own life to live.”

     “Let’s just say I had a sudden inspiration. Experienced a guiding light, so to speak.”

    “It would be like old times!” Her eyes were bright and a little bit teary.

    “Steady on. I am a grown-up now, you know. I’m too old for stories!”

    “Even the one I used to tell you about Scrapefoot?”

A peculiar feeling twisted inside me; part fear, part joy. “That is a story best left for another day. Wait until we get you home and I’ll tell you everything…”

THE END

Scrapefoot is a traditional folktale, said to be the inspiration behind Goldilocks and the Three Bears. In this story, Goldilocks is a wily fox!

Image result for Fox

Scrapefoot #5

This is the penultimate part! No artwork this week, as I’ve been prepping for some of my classes, so I’ll leave you with a rather nice photo instead!

Scrapefoot #5

He wandered away and I followed him. It was like he owned the place and I felt silenced. There were many things I wanted to say, but my tongue was stubbornly mute.

We arrived at my mother’s bedroom. This was not a good idea, my inner voice warned. This wasn’t where you should be going, but he flung open the door and my mother’s room was just as she left it, with the bed made and the dressing table tidied. The faint smell of the powder she always used at bathtime made me so sad, tears sprang to my eyes.

  “See what I’ve done here,” the man said. He flipped open the quilt. “This mattress was terribly lumpy, so I got one of those toppers. Your ma will think she’s sleeping on a cloud from now on.”

   “You shouldn’t have done that,” I said weakly.” It’s not your place.”

An evil little voice said no, it was your place to do all those things, but you never did. You were always too busy. The man is still speaking. He looks ridiculously pleased with himself.

   “I tried the other beds. The spare was way too hard and that little sofa bed in the box room was so soft and saggy it would ruin your back. Now this one_” he waved a hand. “Is just right.”

I gathered my wits. All I want to do is thank him, but I could not. He was a home invader!

   “Look, Mr- I don’t even know your name.”

He grinned. His teeth were white and sharp. “Scrapefoot.”

   “Mr Scrapefoot. You cannot stay here.”

“But it’s empty, and I have nowhere to go.”

“You’re homeless?”

When he didn’t answer, I sighed impatiently. “That’s as maybe, but this is not your house, and there are charities which deal with- all that.”

   “You forgot about the star.”

“Oh, for Heaven’s sake. What about the star?”

“It’s a sign of hospitality and compassion.”

“In what way?”

“Think about that family, the homeless family, who lived in the stable all those years ago.”

“Are you talking about…Bethlehem? That’s got absolutely nothing to do with this, and anyway I’m not religious or even remotely spiritual. As far as I’m concerned, that’s just a story.”

“Like a folktale?”

“Yes, if you like.”

“A bit like the ones your mother used to tell you? The Artic Fox and the Northern Lights, and what was that other one? The very old one that eventually became Goldilocks and the Three Bears. What was the name of that one again?”

My blood ran so cold, I felt like I’d been standing out in the garden for an hour or two. Had I told him about those stories? That my mother used to tell them to me by the light of the fire? I don’t think I had. They’d popped into my head, certainly, after seeing that white fox, and the animal tracks and the flames licking at the chimney. But if I hadn’t told him, how on earth did he know?”

“Have you remembered the name of the story yet?” He asked again.

“Scrapefoot,” I whispered.

Photo by Benjamin Suter on Pexels.com

Scrapefoot #4

Hello! Hope you are doing fine. Thanks for dropping by to catch up with Part 4 of Scrapefoot. I thought it would only be four parts, but this story has other ideas! Thanks so much for reading.

This week, who exactly has broken in to Rebecca’s mum’s house?

SCRAPEFOOT #4

 For the first time in my adult life, I felt a bit blindsided. How on earth was I going to get him out?

    “If you don’t leave immediately, I’m definitely going to call the police and have you done for breaking and entering.”

    “I didn’t break anything,” he said. “I fix things.”

He nodded towards the table leg. He was crafty.

     “How exactly did you get in?”

He laid a finger aside his long, elegant nose and tapped it. “Ways and means, ways and means.”

    “What? Look, this is my mother’s home and-”

     “But she isn’t, is she?”

    “Isn’t what?”

    “At home.”

     “She’s in a home. Look, this is really none of your business.”

He put another log on the fire as if the words coming out of my mouth meant nothing to him.

      “I’ve cut some logs for her, out the back.” He dusted his hands together.

      “But-but she doesn’t need logs. She’s in a home, where she is being looked after.”

        “Looked after.” He repeated. “After. Doesn’t that word mean behind? Like something left behind, or a second thought?”

I was so angry I couldn’t reply. I glanced at my phone screen. Was calling 999 an overreaction? He didn’t seem dangerous, just…odd. I was just trying to remember the non-emergency police number when he stalked past me. I caught that sharp whiff again, the foxy, musky smell. I’d forgotten about the fox. Had it gone into the other room? That’s where he seemed to be going, the strange man, crossing the floor with long loping strides. Into the sitting room he went, and I followed him. He sat down in the big easy chair where Mum used to relax to watch Coronation Street and do her crossword. The memory made something go chink inside me, like a bit of ice breaking off. The man gave a couple of experimental bounces.

    “This is better, isn’t it?” He jumped up so quickly I backed away, but he came after me, took my arm gently, the way a spaniel picks up a feathery game bird. “Come on- you try it. Remember how this chair was really lumpy?”

    “No I don’t. This was my mother’s chair. I’m not in the habit of sitting in it and she never complained”

Reluctantly, I let him guide me to the chair and I sat down. The cushion moulded to my shape. Even though every sinew in my body was knotted with tension, I let myself imagine how wonderful it would be to let the softness of the cushion lure me into complete relaxation. Horrified, I sat bolt upright.

    “Is this a new cushion? What the hell are you playing at?”

The pale stranger plonked himself down on the sofa, did another couple of experimental bounces, and then moved to the wing chair by the window, the one that had been my grandmother’s. That chair, I recalled, was evil. It seemed to have springs pinging from its soul.

    “This chair is dreadful,” he said. “So hard and uncomfortable.”

     “Yes, you’re right. I’ve never liked that chair.”

      “And the couch- well, that is too soft.”

  I tipped my head in consideration. “I always quite liked the couch. I used to curl up there to do my homework.”

   “ Bad for your back. I bet you have a bad back.”

  “ I have sciatica, but that’s neither here nor-”

   “ So I found that cushion in the skip and now your mother’s chair is just right. She’ll be so happy when she comes home.”

He looks so pleased with himself, like a smiley collie dog, that I don’t have the heart to tell him she will never be coming home.

Thank you for reading!

While you’re here, please take a look at my novels and writing courses. I love to blend a little folklore into my novels, and from my interactions with readers, I know you like it too! If you can, please leave a review on Amazon and Goodreads. With book shops closed, it would really help. Thank you in advance!

Sandra x