Tag: gothic

From Fiction to History

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As we progress through 2025, it is always worthwhile to reflect on the writing journey so far, and one significant milestone for me in recent months has been the publication of The House on Devil’s Lane. This novel, which guides readers through a suspenseful narrative filled with mysterious and unsettling events on an apparently ordinary street, began as a tentative foray into the world of self-publishing. Certainly, there are things I did wrong, and different decisions I might have taken, but the reception the novel has received has exceeded my expectations in a very good way!

I’m incredibly grateful for all the readers who have taken the time to write a review. Many have praised its intricate plotting, well-developed characters, and the chilling atmosphere that keeps readers on the edge of their seats. Indeed, the overwhelming support and enthusiasm from readers have been incredibly humbling and motivating.

This year, I have stepped away from fiction for a while to embark on a new literary venture that delves into the fascinating world of historical non-fiction. I am thrilled to be working with Pen and Sword Books on my upcoming project, The Legend of Lady Godiva. This book aims to shed light on the life and legacy of one of England’s most iconic figures, the legendary Lady Godiva.

Fascinating Facts about Lady Godiva

  • Lady Godiva was the grandmother of Ealdgyth, queen consort of Welsh King Gruffydd ap Llywelyn and later King Harold of arrow-in-the-eye fame. This connection places her within the intricate web of medieval royalty and politics.
  • The story of Peeping Tom, who allegedly spied on her legendary naked ride, may have been invented as a joke by Royalist soldiers. This mischievous addition to the tale adds an interesting layer of myth and legend to her story.
  • Godiva and her husband, Leofric, once occupied a hunting lodge in Kings Bromley. Up until recently, a modest modern bungalow stood in its place, boasting beams made with the timber of that long-lost dwelling!

Of the many artworks that feature Godiva, or Godgifu (Good or God gift), this is one of my favourites. This is a preparatory sketch by illustrator Henry Hugh Armistead.

Why Lady Godiva?

You might wonder, why Lady Godiva? The story of her legendary ride through Coventry is one that has fascinated me since childhood. The blend of historical fact and myth, the themes of bravery, sacrifice, and the fight against oppression, all resonate deeply with me. I am excited to be bringing to life the ‘real’ story of Lady Godiva, a tale that is as compelling and inspiring as any fictional narrative.

Looking Ahead

The journey from fiction to history has been incredibly rewarding, and I am eager to share this new book with you all in due course. Stay tuned for more updates on its progress, and thank you for your continued support and enthusiasm for my work.

In the meantime, if you haven’t yet read The House on Devil’s Lane, I encourage you to pick up a copy and join the adventure. Starting on Saturday, Feb 15th, the ebook will be available FREE for five days only!

Thank you for being a part of this incredible journey. Your feedback and reviews mean the world to me and help fuel my passion for storytelling. Here’s to many more stories to come!

And if you would like to write some of your own, please check out my creative writing courses page to find out what’s happening!

Introducing- The House on Devil’s Lane!

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At LAST I have some exciting book news!

My fifth psychological thriller The House on Devil’s Lane (S. L. Ireland) will be released on September 24th as a Kindle ebook and as a paperback. I do believe the ebook is now available to preorder on Amazon and will appear silently and mysteriously on your kindle on publication day if you buy HERE.

Okay, that’s the hard sell out of the way! I just wanted to write a little bit about the process and ideas behind the book. It has been said (and not by me, it was The Sunday Post, actually!) that I write about difficult things with sensitivity and realism, and while novels are essentially a means of entertainment, and an enjoyable diversion, I do like to include some timely and troubling topics. With The Unmaking of Ellie Rook, for example (novel no.3) the underlying theme was one of coercive control and the emotional damage it does.

So, true to form, The House on Devil’s Lane has some very compelling characters with pressing problems and harrowing secrets. How they act when the chips are down…well, that’s where the fiction comes in! Hopefully, you will be with main character Kat every step of the way as she negotiates her new life in a new home while juggling the demands of new motherhood. It’s hard feeling alone and isolated in a new place, but is Kat ever really alone? I’ll let you decide, dear Reader…

Where did the idea come from? I will tell all in a series of blog posts, but first, the setting. As much as a love Scotland, I wanted to step over the border for a wee change, and the idea for this book came to me while I was visiting my brother in County Durham. He lives in a village which consists essentially of a single road with, as fate would have it, an empty house at the end, and behind it, the most amazingly eerie wood….

More next week!

Who said writing was easy?

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This blog post is very overdue, but I’m sure I am not alone in feeling quite overwhelmed by the passage of time! Sometimes it feels like life is happening while I’m studying my to-do list. Writing -and I know many of you will be nodding your heads- often has to take a backseat, and that’s not always to do with time. It’s to do with headspace. If you are juggling work and diaries and life, it becomes very difficult to visit your imagination. We’re constantly advised (and I’m guilty of saying this!) to ‘live inside your character’s head’ or ‘see the world through your character’s eyes’ and if we’re not able to give them our full attention- where does that leave us as writers?

Feeling guilty, frustrated and fraudulent, that’s what. Surely writers have an organised routine and devote entire days to their art? Perhaps if you are Jeffrey Archer, with a villa abroad and a publishing contract lined up, but as we know, life isn’t like that!

So, I have to tell you about a wonderful little writing retreat I went on last month. It wasn’t planned as such- it came about as the result of a chance conversation. It wasn’t in Spain, it was just down the road. I didn’t have any plans, no ambitious ‘get that first draft nailed’ goals, but I can thoroughly recommend house-sitting as way to refresh your batteries and give your creative juices a boost.

There are some photos below- I won’t name names or locations for privacy – but it was so refreshing to wake up somewhere else for two weeks and to pretend that real life wasn’t awaiting my return! New walks, new sights and sounds- it’s amazing what effect a change of scene can have on the writing process! While there, I entered a publisher’s competition for a five- book deal (I can dream!) and managed to write a synopsis and first three chapters of a Gothic novel set in Whitby. This is what the cover might look like one day!

It was great fun, a new challenge and took my mind off my climate fiction Waterbound which is still out on submission (come ON, publishers- what’s not to love?!).

So, I would recommend a complete change of scene if you are struggling to write- even if it is only on your doorstep. Sometimes the most creative of places can be just a few steps away!

Greetings from the Borderlands!

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It’s halfway through February already and I find myself in the beautiful Scottish Borders. I could not believe my luck, last year, when I received an email from Executive Director Lucy Brown, inviting me to spend a whole month at Marchmont Studios to work on my latest project. I am very grateful to all at the Hugo Burge Foundation (learn more about the Foundation’s transformative work HERE) for inviting me to soak up the atmosphere here and become part of the landscape for this precious time!

The beautiful and historic Marchmont House lies a short walk away from the studios

Nothing like writing in a tower!

The novel I’m working on at the moment is a work of folk horror entitled THE BACK OF BEYOND. The title is no reflection on these environs (!) but the place is certainly brimming with qualities and stories that will certainly feed into the narrative. Thanks so much to my fellow resident, artist Anna King, who has loaned me a couple of wonderful old books about the history and stories of the area. Thanks too to Emma, who shared the story of Lady Polwarth, who hid her husband, Sir Patrick, in the crypt of Polwarth Kirk for a month as he was being hunted down by government soldiers after an alleged plot. The couple’s eldest daughter, Grisell, would creep out of Redbraes Castle at night (the ruins can still be seen) armed only with a lantern, and cross the fields with food for her father.

One of many stirring tales connected with the historic Marchmont House and estate.

The remains of Redbraes Castle. Did some Border Reiver take an axe to that door?!

I visited the Kirk on a dreich day and it was easy to imagine how creepy it might have been back then, and what danger might have awaited Lady Grisell, if she had been caught.

I was also fascinated by the story of the Polwarth Thorn, which lies just a mile or two away from the Kirk, in the village of Polwarth. The ‘Thorn’ is actually a pair of very twisted and gnarly trees, said to have sprung from the original, which must have been ancient, as the original Kirk dates from before 1300 (some accounts say there was a church there in the 10th century). It was the custom for newly weds to dance around the thorn tree for good luck and fertility.

I describe my folk horror book as The Wicker Man With Water, and no spoilers to say there might be a Roman goddess in it and one or two sacrifices… I’m now on the look-out for a holy well and some Roman remains…!

The Polwarth Thorn. Another brilliant local tale tells of two sisters, heiresses, who had their sights set on the handsome Wedderburn brothers. Politics and intrigue meant the girls were stolen away by a third party and confined to barracks. The steadfast brothers turned up at their door with horses and men and won the day! A double wedding was performed at the Kirk, and the couples, as tradition decreed, danced around the thorn tree.

The excitement is Bone Deep!

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20180613_212743At last! Bone Deep is here. Many writers will tell you how tricky that second book is, and to some extent that’s true, although for me the writing was the easy bit. I adored creating Bone Deep; I love Lucie, and Mac, and I have a big soft spot for Arthur. I miss those guys! I’m hoping that my readers will love this story just as much as I do.

And THAT’S the tricky part- the nail-biting, gut-clenching wait for the REACTION!

My second book hit the shelves on Thursday, and I’d love to share with you some of my favourite words and images so far.

IMG_20180706_203444_131I’ve just poured myself a large gin and tonic, but before I take one more sip of mother’s ruin, I want to say a BIG thank you to my amazing agent Jenny Brown– the best in the biz- and to all the team at Polygon. You’ve done, and continue to do, a wonderful job- Neville, Alison (glad you liked it!), Julie (Master of Suspense), Jan, Kristian, Vikki, Jamie…I’ve probably forgotten someone, but thank you all!

Raising my glass also to all the bloggers, reviewers and journalists who have been in touch, and to our lovely booksellers and librarians, and to my awesome fellow writers. Now please pour yourself a wee tipple or a nice cuppa and grab a copy of BONE DEEP. Cheers!

Parker the Puppy couldn’t wait to sink his teeth into this juicy novel, and ‘Hank’ from John Smith’s Bookshop, University of Stirling, needed to cool off afterwards…

‘Bone Deep is a taut, contemporary thriller about love, betrayal, female sibling rivalry and bone-grinding, blood-curdling murder.’ – Sunday Post.

‘A siren-like read, the storyline simply swallowed me whole…I could not stop reading!’ – Lovereading UK

‘…atmospheric, with a delicious build up of tension, and beautifully observed throughout. An absorbing read.’ – Michael J. Malone, author of House Of Spines.

BONE DEEP has been sold in India (Bee Books), Germany (Penguin) and the US (Gallery, an imprint of Simon and Schuster) but who knew it had sneaked into Russia….?

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BONE DEEP enjoying St Petersburg, courtesy of Elizabeth Frattaroli

Bone Deep – an evening of music and spoken word

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I can’t believe it’s been two months since Crime at the Castle (and two months since I last updated my blog…hangs head in shame) so let’s hit the ground running with a look at what’s been happening in my booky world!

My second novel Bone Deep will be published at the start of July, so in the run-up to the big day, please join me on Twitter (@22_ireland), Facebook (https://www.facebook.com/Sandralowireland/) and Goodreads. I’ve not been very active on Goodreads, so please follow me- I need all the friends I can get!

BoneDeep final

We decided to get the celebratory ball rolling in April with a concert in the atmospheric surroundings of Hospitalfield, Arbroath. My friends at Hypercoaster Music had the tricky task of bringing together nine virtual strangers, with only an ancient murder ballad in common…and they nailed it! The audience were enthusiastic in their praise, and appreciated how well the performers ‘gelled’, which demonstrates the power of music and art to unite us. It was stirring stuff, as each artist interpreted the ballad of The Cruel Sister* in their own unique way.

 

 

The highlight for me was reading from Bone Deep accompanied by the harp! I’d never attempted anything like this before, but I knew I was in safe hands with super-talented writer, poet and musician Rebecca Sharp. When you read the book, you’ll understand that a very special harp is pivotal to the story, so it was quite emotional for me, not only to hear the instrument playing in the background, but to experience each unique and haunting interpretation of the theme of the evening.

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Author, actor and director Heather Osborne helped me to set the scene with our take on the history of The Cruel Sister ballad. Rebecca, and Emil Thompson treated us to a deliciously dark interpretation of the theme, which involved a Crow Box, a Singing Bowl and a little bit of magic! Spoken word artist Stephen Watt delivered a thought-provoking and poignant set,  exploring the darkness of our own psyche, while folk duo Shamblestone wowed us all with a raw and powerful rendition of the Twa Sisters (video on their Facebook page!). Lisa Rigby and Stuart Clark finished the night off with a fantastic set, including a most haunting and memorable version of The Wind and Rain.

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Huge thanks to Tash and Andy at Hypercoaster, to all who took part, and helped out on the night and beforehand. I really hope we can do it again some time!

Next week, I’ll tell you a little more about the story behind the story, and we’ll look at the history of the ballad itself.

 

 

*The Ballad of the Cruel Sister was the inspiration behind Bone Deep. I wanted to show how the past can impact on the present. Strangely, there’s a link between Hospitalfield and this book! In 1813, Sir Walter Scott visited the house, and was inspired to use it as the setting for his novel The Antiquary. Some 11 years previously, Scott had published a collection of Border Ballads, entitled The Minstrelsy of the Scottish Borders. As a teenager, I chanced upon this tome while rummaging through an old bookshop in the Borders. The Cruel Sister ballad, with its powerful themes of sibling rivalry, betrayal and murder really captured my imagination. Little did I know that some forty years later I would be standing where Scott once stood, talking about my own novel!

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‘Stockbridge Gothic’

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When The Scotsman dubbed Beneath the Skin ‘Stockbridge Gothic’ I was highly delighted. Gothic is definitely my go-to zone when I’m dreaming up the mad, the bad and the dangerous!

Those of you who have already read the book  may have noted a few nods to my all time favourite Frankenstein. I won’t give any games away, but if you have spotted the clues, then feel free to start a conversation! This has made me think about my own relationship with the Gothic, and how it has influenced my writing. For me, I suppose the defining element of the genre is setting, and the development of architecture and landscape as characters within that context. I’m thinking about the labyrinthine Castle of Otranto, the windswept bleakness of Wuthering Heights, and the haunted attic of Charlotte Bronte’s lesser-known Villette.

In Alys’s Stockbridge villa, the damp basement, the creaking staircase, the cramped attic all take on a life of their own. There is a sense that the house is less than welcoming, resistant to the notion of being a family ‘home’. We might call such an atmosphere ‘uncanny’, a concept which, interestingly, stems from  the German Unheimlich, best translated as ‘un-homely’.

In his treatise on the Uncanny, Freud quotes the philosopher Schelling: ’Unheimlich is the name for everything that ought to have remained hidden and secret, and has become visible.’cobweb-handle

All that stuff we carry ‘beneath the skin’ perhaps…

I’ll leave you with an appropriate quote. Walt, just out of bed, makes his way to the kitchen…

‘…the hall felt somehow odd. It took him right back to being a kid again, when you come back from holidays and the house feels cold and damp…has a distance about it. He remembered how his mam used to stand in the porch, sniffing, in case she’d forgotten to chuck out the milk, or the cloths had rebelled in her absence and gone sour. And here he was, sniffing,like his mam used to do. A house with a kid in it shouldn’t feel this way.’

From Beneath the Skin (Polygon) 2016