How to live in a haunted house. Part I

In my last post, I wrote about the setting for my new novel The House on Devil’s Lane, and how I was inspired to cross the border for the location.

The House on Devil’s Lane is available to pre-order HERE. Ebook and paperback will be released on 24/09/24

The main ‘character’ in the novel is, of course, Kat’s strange new home, and people often ask me if I have ever lived in a haunted house. Well, it all depends on what you believe ! I can confirm that I have experienced occurrences that I find hard to explain.

When I lived in Ireland, for example, we renovated a 300-year-old farmhouse in rural Limerick called Victory Hall. If any property was going to have an uncanny presence, it was going to be this one, right?! It certainly had a fascinating tale to tell. According to local legend, it had once been a parochial house, but the incumbent priest had committed a sin so grievous (I never found out what it was) that he was visited in the night by a furious mob, armed with blazing torches and pikes (hayforks). They evicted him from the house and marched him down to the river, presumably with the intent of drowning him. He survived, but lost his parish and was condemned to live out his days in a hut down by the very water that could have ended his life.

The ghost of a black-garbed man was said to pace the grounds of Victory Hall, pleading to be let back in to the house, but I never saw anything. We had to completely gut the place, and many ‘ghost’ artefacts came to light. The leather cover of a Bible, a part of a saddle, and so on, all helping to fire the imagination. On dark nights the blackness was absolute, with only a sole farmyard light flickering across the valley. Standing outside, you could hear all manner of rustlings and scratchings in the hedgerow, and even inside, the old timber would creak as it came to rest in the cool of the night. On the whole, the place had a rather peaceful air about it.

The great open fire in the kitchen was the perfect place around which to spin a yarn on a winter night, and I often wonder how many tales it had witnessed.

However, two strange things did stand out for me during our time there. Scratched into the lintel of the kitchen door were the letters WW, which I later discovered were not the priest’s initials, as I had assumed, but interlocking Vs, referring to the Virgin of Virgins. They were witchmarks, ancient graffiti calling upon the Virgin Mary for protection against evil. Were they there to keep the priest out?

Check out my fourth novel Sight Unseen to see where that idea led me! Honestly, no detail is ever wasted when a writer is around! You can find it HERE

The second thing? My youngest son, then around 3, called me over to the window one day, claiming to have seen ‘a man in a long black cloak’ crossing the yard. The house was accessible only by a driveway- one way in and one way out. No one had knocked on the door and I wasn’t expecting visitors. My scalp prickled. With two under- fours in the house, I was always on high alert. I ran outside, but there wasn’t a soul to be seen…

What had he seen? You tell me!

More tales from my current home next time! If you would like to subscribe to my mailing list please click HERE. It is quite occasional, but you can catch up on all my workshops and book news, and I also do a writing prompt in each edition. The perfect excuse to sit down with a cuppa and a notebook!

Who said writing was easy?

This blog post is very overdue, but I’m sure I am not alone in feeling quite overwhelmed by the passage of time! Sometimes it feels like life is happening while I’m studying my to-do list. Writing -and I know many of you will be nodding your heads- often has to take a backseat, and that’s not always to do with time. It’s to do with headspace. If you are juggling work and diaries and life, it becomes very difficult to visit your imagination. We’re constantly advised (and I’m guilty of saying this!) to ‘live inside your character’s head’ or ‘see the world through your character’s eyes’ and if we’re not able to give them our full attention- where does that leave us as writers?

Feeling guilty, frustrated and fraudulent, that’s what. Surely writers have an organised routine and devote entire days to their art? Perhaps if you are Jeffrey Archer, with a villa abroad and a publishing contract lined up, but as we know, life isn’t like that!

So, I have to tell you about a wonderful little writing retreat I went on last month. It wasn’t planned as such- it came about as the result of a chance conversation. It wasn’t in Spain, it was just down the road. I didn’t have any plans, no ambitious ‘get that first draft nailed’ goals, but I can thoroughly recommend house-sitting as way to refresh your batteries and give your creative juices a boost.

There are some photos below- I won’t name names or locations for privacy – but it was so refreshing to wake up somewhere else for two weeks and to pretend that real life wasn’t awaiting my return! New walks, new sights and sounds- it’s amazing what effect a change of scene can have on the writing process! While there, I entered a publisher’s competition for a five- book deal (I can dream!) and managed to write a synopsis and first three chapters of a Gothic novel set in Whitby. This is what the cover might look like one day!

It was great fun, a new challenge and took my mind off my climate fiction Waterbound which is still out on submission (come ON, publishers- what’s not to love?!).

So, I would recommend a complete change of scene if you are struggling to write- even if it is only on your doorstep. Sometimes the most creative of places can be just a few steps away!

Greetings from the Borderlands!

It’s halfway through February already and I find myself in the beautiful Scottish Borders. I could not believe my luck, last year, when I received an email from Executive Director Lucy Brown, inviting me to spend a whole month at Marchmont Studios to work on my latest project. I am very grateful to all at the Hugo Burge Foundation (learn more about the Foundation’s transformative work HERE) for inviting me to soak up the atmosphere here and become part of the landscape for this precious time!

The beautiful and historic Marchmont House lies a short walk away from the studios

Nothing like writing in a tower!

The novel I’m working on at the moment is a work of folk horror entitled THE BACK OF BEYOND. The title is no reflection on these environs (!) but the place is certainly brimming with qualities and stories that will certainly feed into the narrative. Thanks so much to my fellow resident, artist Anna King, who has loaned me a couple of wonderful old books about the history and stories of the area. Thanks too to Emma, who shared the story of Lady Polwarth, who hid her husband, Sir Patrick, in the crypt of Polwarth Kirk for a month as he was being hunted down by government soldiers after an alleged plot. The couple’s eldest daughter, Grisell, would creep out of Redbraes Castle at night (the ruins can still be seen) armed only with a lantern, and cross the fields with food for her father.

One of many stirring tales connected with the historic Marchmont House and estate.

The remains of Redbraes Castle. Did some Border Reiver take an axe to that door?!

I visited the Kirk on a dreich day and it was easy to imagine how creepy it might have been back then, and what danger might have awaited Lady Grisell, if she had been caught.

I was also fascinated by the story of the Polwarth Thorn, which lies just a mile or two away from the Kirk, in the village of Polwarth. The ‘Thorn’ is actually a pair of very twisted and gnarly trees, said to have sprung from the original, which must have been ancient, as the original Kirk dates from before 1300 (some accounts say there was a church there in the 10th century). It was the custom for newly weds to dance around the thorn tree for good luck and fertility.

I describe my folk horror book as The Wicker Man With Water, and no spoilers to say there might be a Roman goddess in it and one or two sacrifices… I’m now on the look-out for a holy well and some Roman remains…!

The Polwarth Thorn. Another brilliant local tale tells of two sisters, heiresses, who had their sights set on the handsome Wedderburn brothers. Politics and intrigue meant the girls were stolen away by a third party and confined to barracks. The steadfast brothers turned up at their door with horses and men and won the day! A double wedding was performed at the Kirk, and the couples, as tradition decreed, danced around the thorn tree.

Scrapefoot #4

Hello! Hope you are doing fine. Thanks for dropping by to catch up with Part 4 of Scrapefoot. I thought it would only be four parts, but this story has other ideas! Thanks so much for reading.

This week, who exactly has broken in to Rebecca’s mum’s house?

SCRAPEFOOT #4

 For the first time in my adult life, I felt a bit blindsided. How on earth was I going to get him out?

    “If you don’t leave immediately, I’m definitely going to call the police and have you done for breaking and entering.”

    “I didn’t break anything,” he said. “I fix things.”

He nodded towards the table leg. He was crafty.

     “How exactly did you get in?”

He laid a finger aside his long, elegant nose and tapped it. “Ways and means, ways and means.”

    “What? Look, this is my mother’s home and-”

     “But she isn’t, is she?”

    “Isn’t what?”

    “At home.”

     “She’s in a home. Look, this is really none of your business.”

He put another log on the fire as if the words coming out of my mouth meant nothing to him.

      “I’ve cut some logs for her, out the back.” He dusted his hands together.

      “But-but she doesn’t need logs. She’s in a home, where she is being looked after.”

        “Looked after.” He repeated. “After. Doesn’t that word mean behind? Like something left behind, or a second thought?”

I was so angry I couldn’t reply. I glanced at my phone screen. Was calling 999 an overreaction? He didn’t seem dangerous, just…odd. I was just trying to remember the non-emergency police number when he stalked past me. I caught that sharp whiff again, the foxy, musky smell. I’d forgotten about the fox. Had it gone into the other room? That’s where he seemed to be going, the strange man, crossing the floor with long loping strides. Into the sitting room he went, and I followed him. He sat down in the big easy chair where Mum used to relax to watch Coronation Street and do her crossword. The memory made something go chink inside me, like a bit of ice breaking off. The man gave a couple of experimental bounces.

    “This is better, isn’t it?” He jumped up so quickly I backed away, but he came after me, took my arm gently, the way a spaniel picks up a feathery game bird. “Come on- you try it. Remember how this chair was really lumpy?”

    “No I don’t. This was my mother’s chair. I’m not in the habit of sitting in it and she never complained”

Reluctantly, I let him guide me to the chair and I sat down. The cushion moulded to my shape. Even though every sinew in my body was knotted with tension, I let myself imagine how wonderful it would be to let the softness of the cushion lure me into complete relaxation. Horrified, I sat bolt upright.

    “Is this a new cushion? What the hell are you playing at?”

The pale stranger plonked himself down on the sofa, did another couple of experimental bounces, and then moved to the wing chair by the window, the one that had been my grandmother’s. That chair, I recalled, was evil. It seemed to have springs pinging from its soul.

    “This chair is dreadful,” he said. “So hard and uncomfortable.”

     “Yes, you’re right. I’ve never liked that chair.”

      “And the couch- well, that is too soft.”

  I tipped my head in consideration. “I always quite liked the couch. I used to curl up there to do my homework.”

   “ Bad for your back. I bet you have a bad back.”

  “ I have sciatica, but that’s neither here nor-”

   “ So I found that cushion in the skip and now your mother’s chair is just right. She’ll be so happy when she comes home.”

He looks so pleased with himself, like a smiley collie dog, that I don’t have the heart to tell him she will never be coming home.

Thank you for reading!

While you’re here, please take a look at my novels and writing courses. I love to blend a little folklore into my novels, and from my interactions with readers, I know you like it too! If you can, please leave a review on Amazon and Goodreads. With book shops closed, it would really help. Thank you in advance!

Sandra x

Scrapefoot #1

I’ve set myself a wee challenge. In an attempt to get my creativity back on track in the New Year, I’m undertaking The Artist’s Way with Dawn Geddes. Elizabeth Frattaroli and Gillian Duff. Thank you for the inspiration, Dawn! There’s no doubt that circumstances have taken a toll on our inner lives, so I’ve set myself the goal of producing a drawing a day for the next few weeks and as a little 2021 gift for my readers I will be serialising a short story!

Entitled Scrapefoot. this is a modern folktale set in a snowy Yorkshire wood.What is going on in the mysterious Eel Beck Cottage and why does Rebecca keep seeing a white fox? I have no idea, because I’m still in the middle of writing it! Watch it unfold RIGHT HERE. I will be uploading a new part every Sunday in January.

So grab a coffee, put your feet up and enjoy! Follow my WordPress site so you don’t miss anything.

Scrapefoot #1

Each crunch of my booted feet detonated in the silent winter wood. Fingers of snow dislodged themselves and showered my head, and underneath the white blanket, things cracked and creaked and stuck out at odd angles like broken bones. Those bits of sky visible through the black ribs of the trees were already navy blue.  My preferred type of snow was vast, smooth and well-curated; a short ski-lift ride from a smoking glühwein, but this was no holiday. I’d left it too late to come here.

I hadn’t realised how frail my mother had become. The care home seemed vast about her narrow shoulders, a large, bustling place full of strangers. She kept to her room as much as possible, emerging as requested to sit politely at the table three times a day. She ate like a bird, and she felt like a bird, stick-like bones beneath the ragged plumage of her best hand-knit. I held her the way you’d hold a fledgling, half-afraid of doing more harm than good.

    “I’m fine,” she would reply to all of my questions, and I had many, many questions. I hadn’t seen her in person for so long. She didn’t perform well on Facetime. Like a child, there was something about the screen that confused her and she couldn’t get emails, of course, unless the manager printed them out for her and even then she couldn’t see to read them. I tried to remember to use a bold font, but often I’d forget. I’ve never hand-written a letter in my life. I think we’ve come too far to go back to that. We might as well return to the quill.

Do you like it here? Is the food good? Are they kind to you? Have you made any friends?

  “I’m fine,” was all she would say, and then she’d smile, leaving me none the wiser. She never asked for anything either. I brought her magazines, chocolate, a hand-held fan in case it got too hot, fingerless gloves in case it was too chilly. She accepted them all with grace, but she never asked for anything. Until this morning. The request I’d been trying to avoid, even though I knew it was on the cards.

   “One thing you could do while you’re here, Rebecca.” She rested her hand over mine. It was dry, and insubstantial, like an autumn leaf. “I’d be really grateful if you could go up to Eel Beck. Nobody has been there for so long, and I’m worried about it.”   

  “Yes, of course I will.” I squeezed the crinkled leaf of her hand. My gut shrank a little. Eel Beck may have been my childhood home, but I was in no rush to go back. I’d struggled so hard to be free of it…

Check back next Sunday for Scrapefoot #2 ! Until then, stay safe, my friends…

The excitement is Bone Deep!

20180613_212743At last! Bone Deep is here. Many writers will tell you how tricky that second book is, and to some extent that’s true, although for me the writing was the easy bit. I adored creating Bone Deep; I love Lucie, and Mac, and I have a big soft spot for Arthur. I miss those guys! I’m hoping that my readers will love this story just as much as I do.

And THAT’S the tricky part- the nail-biting, gut-clenching wait for the REACTION!

My second book hit the shelves on Thursday, and I’d love to share with you some of my favourite words and images so far.

IMG_20180706_203444_131I’ve just poured myself a large gin and tonic, but before I take one more sip of mother’s ruin, I want to say a BIG thank you to my amazing agent Jenny Brown– the best in the biz- and to all the team at Polygon. You’ve done, and continue to do, a wonderful job- Neville, Alison (glad you liked it!), Julie (Master of Suspense), Jan, Kristian, Vikki, Jamie…I’ve probably forgotten someone, but thank you all!

Raising my glass also to all the bloggers, reviewers and journalists who have been in touch, and to our lovely booksellers and librarians, and to my awesome fellow writers. Now please pour yourself a wee tipple or a nice cuppa and grab a copy of BONE DEEP. Cheers!

Parker the Puppy couldn’t wait to sink his teeth into this juicy novel, and ‘Hank’ from John Smith’s Bookshop, University of Stirling, needed to cool off afterwards…

‘Bone Deep is a taut, contemporary thriller about love, betrayal, female sibling rivalry and bone-grinding, blood-curdling murder.’ – Sunday Post.

‘A siren-like read, the storyline simply swallowed me whole…I could not stop reading!’ – Lovereading UK

‘…atmospheric, with a delicious build up of tension, and beautifully observed throughout. An absorbing read.’ – Michael J. Malone, author of House Of Spines.

BONE DEEP has been sold in India (Bee Books), Germany (Penguin) and the US (Gallery, an imprint of Simon and Schuster) but who knew it had sneaked into Russia….?

IMG_20180706_205321

BONE DEEP enjoying St Petersburg, courtesy of Elizabeth Frattaroli

‘Stockbridge Gothic’

When The Scotsman dubbed Beneath the SkinStockbridge Gothic’ I was highly delighted. Gothic is definitely my go-to zone when I’m dreaming up the mad, the bad and the dangerous!

Those of you who have already read the book  may have noted a few nods to my all time favourite Frankenstein. I won’t give any games away, but if you have spotted the clues, then feel free to start a conversation! This has made me think about my own relationship with the Gothic, and how it has influenced my writing. For me, I suppose the defining element of the genre is setting, and the development of architecture and landscape as characters within that context. I’m thinking about the labyrinthine Castle of Otranto, the windswept bleakness of Wuthering Heights, and the haunted attic of Charlotte Bronte’s lesser-known Villette.

In Alys’s Stockbridge villa, the damp basement, the creaking staircase, the cramped attic all take on a life of their own. There is a sense that the house is less than welcoming, resistant to the notion of being a family ‘home’. We might call such an atmosphere ‘uncanny’, a concept which, interestingly, stems from  the German Unheimlich, best translated as ‘un-homely’.

In his treatise on the Uncanny, Freud quotes the philosopher Schelling: ’Unheimlich is the name for everything that ought to have remained hidden and secret, and has become visible.’cobweb-handle

All that stuff we carry ‘beneath the skin’ perhaps…

I’ll leave you with an appropriate quote. Walt, just out of bed, makes his way to the kitchen…

‘…the hall felt somehow odd. It took him right back to being a kid again, when you come back from holidays and the house feels cold and damp…has a distance about it. He remembered how his mam used to stand in the porch, sniffing, in case she’d forgotten to chuck out the milk, or the cloths had rebelled in her absence and gone sour. And here he was, sniffing,like his mam used to do. A house with a kid in it shouldn’t feel this way.’

From Beneath the Skin (Polygon) 2016