Bone Deep – an evening of music and spoken word

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I can’t believe it’s been two months since Crime at the Castle (and two months since I last updated my blog…hangs head in shame) so let’s hit the ground running with a look at what’s been happening in my booky world!

My second novel Bone Deep will be published at the start of July, so in the run-up to the big day, please join me on Twitter (@22_ireland), Facebook (https://www.facebook.com/Sandralowireland/) and Goodreads. I’ve not been very active on Goodreads, so please follow me- I need all the friends I can get!

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We decided to get the celebratory ball rolling in April with a concert in the atmospheric surroundings of Hospitalfield, Arbroath. My friends at Hypercoaster Music had the tricky task of bringing together nine virtual strangers, with only an ancient murder ballad in common…and they nailed it! The audience were enthusiastic in their praise, and appreciated how well the performers ‘gelled’, which demonstrates the power of music and art to unite us. It was stirring stuff, as each artist interpreted the ballad of The Cruel Sister* in their own unique way.

 

 

The highlight for me was reading from Bone Deep accompanied by the harp! I’d never attempted anything like this before, but I knew I was in safe hands with super-talented writer, poet and musician Rebecca Sharp. When you read the book, you’ll understand that a very special harp is pivotal to the story, so it was quite emotional for me, not only to hear the instrument playing in the background, but to experience each unique and haunting interpretation of the theme of the evening.

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Author, actor and director Heather Osborne helped me to set the scene with our take on the history of The Cruel Sister ballad. Rebecca, and Emil Thompson treated us to a deliciously dark interpretation of the theme, which involved a Crow Box, a Singing Bowl and a little bit of magic! Spoken word artist Stephen Watt delivered a thought-provoking and poignant set,  exploring the darkness of our own psyche, while folk duo Shamblestone wowed us all with a raw and powerful rendition of the Twa Sisters (video on their Facebook page!). Lisa Rigby and Stuart Clark finished the night off with a fantastic set, including a most haunting and memorable version of The Wind and Rain.

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Huge thanks to Tash and Andy at Hypercoaster, to all who took part, and helped out on the night and beforehand. I really hope we can do it again some time!

Next week, I’ll tell you a little more about the story behind the story, and we’ll look at the history of the ballad itself.

 

 

*The Ballad of the Cruel Sister was the inspiration behind Bone Deep. I wanted to show how the past can impact on the present. Strangely, there’s a link between Hospitalfield and this book! In 1813, Sir Walter Scott visited the house, and was inspired to use it as the setting for his novel The Antiquary. Some 11 years previously, Scott had published a collection of Border Ballads, entitled The Minstrelsy of the Scottish Borders. As a teenager, I chanced upon this tome while rummaging through an old bookshop in the Borders. The Cruel Sister ballad, with its powerful themes of sibling rivalry, betrayal and murder really captured my imagination. Little did I know that some forty years later I would be standing where Scott once stood, talking about my own novel!

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A Story Within A Story

sandra ireland author 6It goes without saying that writers always have a swarm of story ideas buzzing around in their heads, and a notebook beside the bed, just in case one of the little blighters escapes! I often feel like a ghoulish beachcomber, picking through the bones of real-life situations in search of meat. A tiny piece of flotsam can lead me into a new novel, short story or poem.

So why, when anyone asks about my own story, do I want to scuttle away like a hermit crab?

Because it’s personal, and as any writer will tell you- we don’t do personal, unless it’s neatly wrapped in fiction and we can hide behind it. In the modern, media-savvy world, getting up close and personal with the author is all part of the publishing deal.

This, I have to admit, is something I struggle with. I lurked on Twitter for ages before I was brave enough to compose that first Tweet. I blanched at the thought of the ‘professional head shots’ required for publicity purposes, and giving interviews? Why would anyone come to an event to hear me speak?

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Dawn Geddes

If all this sounds disturbingly familiar, never fear! There is now professional help available for us weak-at-the knees newbies. I have just completed Week One of a startlingly helpful course devised by Dawn Geddes, a freelance journalist, with a background in public relations and media work. Dawn, a fiction writer herself, knows only too well what it takes to make that leap from behind the keyboard to star in your own show.

In Week One of her four-week online course, I was faced with an Author Story Questionnaire. What? Authors have stories too? They do, and they’re not made up. At first it was difficult, but the more involved I became, the more I began to recall the interesting aspects of my life, the bits that I never think to talk about, because I hate talking about myself! It was a real voyage of discovery, and to return to my beachcombing analogy- soon I began to unearth buried treasure. Suddenly, this writer has a backstory!

Using Dawn’s tailor-made tools, I have now re-vamped my website. Take a look. Tell me what you think. I wanted it to reflect the noirish tone of my writing, and if readers are interested in ME, it stands to reason they’ll give my books a whirl.

So, a whopping five stars for Week One of the ‘Be your own publicist’ course. I will report back on Week Two, but in the meantime, check out Dawn’s course HERE

Time On Your Side

Buying a gift for a writer is easy. An elegant pen, a bespoke notebook. A new edition of a much-loved classic. But ask a writer what their dream gift would be, and it might well be something you can’t pick up online.

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We crave it, can’t get enough of it. We want time that is elastic, time that stands still. Time that will work with us, and allow us to craft that perfect chapter before the kids come home, or the dog demands to be walked.

We all desire it, we’re all chasing it. You can’t buy it, but you can make it, if you allow a little space in your hectic schedule. Last month, three intrepid scribblers set out to do just that!

 

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In the company of fellow writers, Elizabeth Frattaroli and Dawn Geddes, I booked into the fabulous Rosely House Hotel, Arbroath. Better known as the ‘home’ of the Angus Writers’ Circle, the hotel is a Baronial-style country house. Think old oak and stag’s heads, firewood in the hall and electric blankets on the beds. It has turrets, stained glass and the most gorgeous period furniture. It is Writer Heaven!

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20170512_164729We began our stay with a wander round the grounds, beneath Scots pine and willow, through drifts of bluebells. We passed the 18th c. ice house, and climbed ancient stone steps that lead to nowhere. Afterwards, we relaxed in the parlour and wrote, fuelled by endless coffee (the family who run the hotel are SO understanding!) and, I admit, a bottle of wine. After a delicious meal – served in the parlour, no cooking, no washing up!- we wrote some more, shared some ideas and climbed the amazing Gothic staircase to bed.

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It was tranquil, therapeutic and inspirational. For once, Time was on our side. With no domestic demands, no to-do list and no stress, it was the perfect venue for a writerly retreat. Wouldn’t it be wonderful, we thought, if everyone could experience this?

If you’re chasing time, and would like to follow in our footsteps, head on over to our brand-new website!

https://chasingtimescotland.wordpress.com  

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True North

Last week, I took an exciting trip back to my roots!

Vic Watson and Jacky Collins, organisers of  Newcastle Noir kindly invited me along to Noir @ the Bar, in the Town Wall, Newcastle. Newcastle Noir is a literary festival celebrating the best in contemporary crime writing, bringing together writers from the North East, across Britain, as well as from further afield. By all accounts, the 2017 festival was a huge success, and it’s already on my calendar for next year! Noir@the Bar (there are quite a few versions of this across the country) is a fun, informal evening of readings…in a pub. Writers’ paradise, pretty much!

When I last visited Newcastle, I was too young to drink, but unfortunately, on this occasion, the bar staff saw no need to I.D. me. We had a fabulous night in a great venue, and I really enjoyed listening to chilling extracts from some must-read novels and short stories.

I chose to read the opening pages from my novel Beneath the Skin, and I was very conscious that my central character, Walt, was  coming home too. As a nod to my own upbringing, Walt grew up in rural Northumberland, but I could just imagine him meeting his mates for a few pints in a place like the Town Wall, having a laugh and a bit of banter. Beneath the Skin is about what happens when the laughter stops. When you come home but your best mate doesn’t. It’s about how trauma changes people.

 

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Beneath the Skin (Polygon)

My trip ‘down south’ was much too brief, but I couldn’t pass up the chance to check out a few Gothic locations for my next project….!

 

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Writing in Books

A blog post is well overdue! Searching for a thread to connect the many interesting events of last week (I’m a writer. I’m always chasing threads!), I came up with the notion that writing in books is a curious way of connecting us with each other and with the past.

Now there are some places which frown heavily upon the defacing of books in this way, and rightly so! I will start, then, with my research trip to the National Library of Scotlandnls

My research actually began long before my visit, having filled in the ‘Ask the Librarian’ form on the NLS website. I wasn’t expecting my ‘Have you got anything about mills?’ ramble to yield much fruit, but an amazing librarian (ALL librarians are amazing) called Mike swiftly came to my aid, producing a most comprehensive list of folklore resources for me to get my teeth into. (You’re not allowed to do that either. No pens; no teeth).

So I duly arrived at the grand old institution on George IV Bridge, Edinburgh, excited by the knowledge that some fascinating sources lay in wait for me behind those heavy wooden doors. And I was excited! There’s something about digging through old volumes that makes time stand still. The Reading Room experience adds to the occasion. All your outside stuff goes in a locker and you transport your pencils (NO PENS!), notebooks and loose change for the photocopier, in a clear plastic bag. A couple of years ago, I was privileged to spend some time in the Special Collections Room with a 14th c. illuminated manuscript book. The librarian at that time explained to me that book theft is a huge problem in many libraries. Thieves often excise the precious pages and slip them between the covers of a normal book, which is why everything now has to be in see-through plastic, and your papers are searched when you leave. It’s a sad world.

So, although I appreciated the historic marginalia I discovered in some of the books I was using, I certainly didn’t add any of my own! You can read about my research at https://barrymillblog,com. New post coming soon…

Noir @ the Bar was a wonderfully gregarious social event, bringing together crime writers and readers from all ends of the earth (well, almost). They are now being held in quite a few places, and the Edinburgh event, organised by Jackie Collins and Mark Leggat, is held noir-the-bar-1at the Wash Bar. Again, there was much scribbling of contact details in notebooks after the event (writers rarely remember to carry business cards or even pens!) but we all agreed that, as well as the dark and dastardly readings from some top-notch Tartan Noir, it was a wonderful opportunity to make new friends and influence people! The next one is on May 31st.

This weekend saw the return of the Further From Festival in Linlithgow. I was delighted to be asked to take part, along with my ‘Wyrd’ pal, Shelley Day (It’s our books that are weird, not us. We’re normal….mwa hah haha…). It was lovely to meet Sally and her team from Far From the Madding Crowd Bookshop, and I was so sorry I didn’t manage to get a browse through the shelves!

I did, however, discover a little gem in a Linlithgow charity shop. The Queen’s Quair, a novel about Mary, Queen of Scots by Maurice Hewlett, was published in 1905 by Macmillan. I was totally bowled over by this inscription; a faint thread stretching from the past and drawing me in!

Head Notes and Heart Notes

Regular readers of this blog may have noted that the last few months have been frenetic, although the past week has more or less wrapped up my bookish events for this year. On Thursday, I took part in Dundee’s first ever Noir at the Bar, along with Kings of Crime James Oswald, Russel D.Mclean, Jay Stringer and David Wishart, plus those Dangerous Dames, Chris Longmuir and Wendy H. Jones. This is an American phenomenon ( read about it here) which is spreading rapidly and with great success. Watch out for NATB events in Glasgow, Newcastle and Edinburgh…and definitely Dundee in the New Year!

Sometimes, it’s good to take a step back and indulge in something creative for the simple pleasure of being creative. On Saturday I attended a Poetry Apothecary workshop, which was every bit as magical as it sounds. This is the brainchild of poet Rebecca Sharp, who gave us free rein to experiment with lots of lovely perfume oils and encouraged us to add words to the blend. As always, it was a pleasure to meet with a bunch of like-minded folk, and it felt good to ‘play’ with ideas, minus the pressure of producing a finished article. However, Rebecca’s Apothecary, and the fascinating mythology and history of perfume, worked its magic. Here’s a poem- enjoy! poetry-apothecary-2

Perfume: a love spell.

(A scent is made of base notes, middle/heart notes and top/head notes. ‘Notes’ of perfume oil go together to make a ‘chord’…)

Pierce

the sharp heart notes

of clove and myrtle

with needles of pine.                                                                               poetry-apothecary

Bind

jasmine and juniper,

with rind of bergamot,

drop by bittersweet drop.

Blend

musk, light-fingered frankincense;

a riff of vetivert;.

the bass grumble of oakmoss

Smell

the secret chord.

.                                                                        Sandra Ireland, 2016